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Aisha Kahlil
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  • United States
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Aisha Kahlil's Page

Profile Information

What instrument do you play?
The voice and percussion instruments
Who influenced you to listen to jazz
Sounds of the Universe
How did you find out about the WDCJN?
www.washingtondcjazznetwork.com
My Website
http://http://aishakahlil.com/
Where are you located?
Silver Spring, MD
Tell us about yourself



AISHA KAHLIL possesses a dynamic, innate power and range in jazz, blues, traditional, contemporary, and African vocal styles and techniques.

Ms. Kahlil’s interest in music was evident at an early age. She was a member of local choirs in her native Buffalo, New York, and during her high school years performed as a vocalist with the Buffalo Philharmonic Orchestra in several productions, including Porgy and Bess, Carmen Jones, and The Messiah. During this time she also sang the role of Monica in a special WGBH production of Menotti’s The Medium, and performed at Carnegie Hall in Julius Eastman’s avant-garde composition The Thruway. She worked concurrently with the Studio Arena Theatre where she was awarded a full scholarship, and The Buffalo Black Drama Workshop, where she became interested in the music of such jazz artists as John Coltrane, Leon Thomas, Betty Carter, Yma Sumac, and Pharoah Sanders, to name a few.

By the time she entered college as a theatre student at Northeastern University in Boston, it was clear that Ms. Kahlil had an intuitive inclination for vocal jazz. Although her formal training had been in European classical music, she began experimenting with innovative, improvisational vocal techniques. During the same period, she studied voice and music theory at the New England Conservatory of Music, and performed with Ebony Jua, a local jazz ensemble that toured the east coast music circuit. While at Northeastern, Aisha directed M(ego) and the Green Ball of Freedom, Where we at? , a play by Martie charles, and performed and directed Sister Sonji, by Sonia Sanchez.

Following her studies, Ms. Kahlil spent three years in the Bay area, where she worked as a vocalist and dancer with the Raymond Sawyer Theatre and Halifu Productions, while performing and recording with the avant-garde jazz trio Infinite Sound. She then returned to Boston, and there worked with such groups as Stan Strickland and Sundance and The Art of Black Dance and Music, in addition to teaching at the Institute for Contemporary Dance, The Joy of Motion, the Boston Center for the Arts, and as a consultant to the Boston public school system.

Ms. Kahlil’s artistic pursuits have taken her to New York City, where she studied extensively at the Alvin Ailey School, and with Frank Hatchett, Pepsi Bethel, Fred Benjamin, and Emiko and Yasuko Tokunaga. She also appeared in the Joseph Papp off Broadway production of The Haggadah, co – composed and performed in the musical Two Thousand Seasons, and danced with such companies as Titos Sampas’s Tanawa. During this time, she also performed with Talib Kibwe( T.K. Blue) and Abdullah Ibrahim (Dollar Brand), and with Sun Ra and his Solar Arkestra.

 



 

Journey to My-Ka is her first solo release, and is a compilation of her own original compositions and arrangements.

 

 

 

Click here

 

Since her arrival in Washington, D.C., she has worked with the D.C. Black Repertory Theatre and with Brother Ah and the Sounds of Awareness, and has been a featured artist in the Smithsonian Institution’s Jazz in the Palm Court, in which she presented a special performance of the music of Gertrude “Ma” Rainey; the Queen Mother of the Classic Blues, to rave reviews. Aisha has taught and performed for the African Heritage Dancers and Drummers, as a dancer in Kankouran, and taught at the Dance Place. She also served as artistic director for the Youth Ensemble of Dancers and Drummers at the Levine School of Music, directed and choreographed for the First World Dance Theatre, and co directed and performed for the First World Productions, where she also co wrote with Nitanju Bolade Casel the original production Bright Moments in Great Black Music.

 

For over 38 years, the gospel group "Sweet Honey in the Rock" has been thrilling audiences with their own beautiful brand of edu-tainment. They're activists, teachers and performers, and now they're on Talk Stoop with Cat Greenleaf.

As a member of Sweet Honey in the Rock, Ms. Kahlil has been voted Best Soloist by the Contemporary A Capella Society, for her work on her composition Fulani Chant, and also for her rendition of See See Rider.

 

 

Her original composition Wodaabe Nights has been featured in the film soundtrack Africans in America,

 

and her composition Fulani Chant has been included in the film soundtrack Down in the Delta, directed by Maya Angelou, as well as the soundtrack Climb against the Odds, a film produced by the Breast cancer Fund.

 


 

Ms Kahlil’s film credits include Beloved, starring Oprah Winfrey and directed by Jonathan Demme, and with Sweet Honey in the Rock and James Horner, has written and recorded original music for the soundtrack of the TNT film Freedom Song,

 

starring Danny Glover and directed by Phil Robinson. In 2005, Aisha was a finalist with her own band MyKa and the whole World Band in the annual contest

 


Battle of the Bands, sponsored by Discmakers, and is a winner in the International Songwriting Competition’s (ISC) performance category with her original song, The Jewel Light.

Aisha has toured with her band in the islands of Hawaii; performing at the Four Seasons Lodge at Koele, at Cassanova’s, and at Studio Maui, where she also taught workshops in vocal improvisation and movement. She has recently presented her signature workshops at the Kripalu Yoga Institute.

 

 

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At 1:43pm on August 14, 2011, Clyde W Anderson said…

Hello Ms Kahill,

I am very impress with your sound. I would love to place your Bio on my site www.andyclydes.com as a featured artist. There is no cost to you so if you gain a new fan it pays for itself. I don't just post people on my site without permission. I don't come here often so please contact me at cwa_615@hotmail.com You have a blessed day, I look forward to hearing from you soon

At 11:41am on July 5, 2011, Marta Graciela Bressi said…

Dear Aisha,

 

I´d really appreciate it if you could take the time to look at my work and leave your impressions here or in the guestbook on my homepage -http://www.miartemartagracielabressi.webs.com/- where there are more samples of my digital art works, engravings and sculptures. The web site´s in Spanish but, if you want to read the texts in English, you can access my Livejournal:

http://pallasatheneas.livejournal.com

You can also visit the website we created with the Belgian jazz musician Dirk Schreurs to make our recent video art collaboration known to the world:

http://www.mindsofglass.webs.com/
¨
Minds of Glass:  ¨All visual compositions perfectly match the soundtrack’s expressive aesthetics in terms of emotional content and artistic strength” (New York/Los Angeles Independent Media Board).


http://cminejazz.com/show/2010/11/12/minds-of-glass


http://martagracielabressistudios.webs.com/

If it doesn't work, simply copy and paste the link on your browser. You'll find new images in the gallery.


Regards,

Marta

 

P.S.: Unfortunately, I' ve got too many contact on the network to add more.Feel free to add me if you want.

BlogTalkRadio

Ustream.tv

 
 
 

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George, thank you and thank GOD for blessing you with insight to create WDCJN!   The Network has been my connection to the greatest Jazz Legends alive today and Emerging Jazz Icons.  Many of whom I've met and collaborated with over the last 3 yrs after our introduction.  Its a Wonderful thing when Creativity collides with History, Experience and Cosmic Energy and that's exactly the vortex you've created with the WDCJN.  Keep letting your light Shine Brother,......... Keep letting it SHINE~~~Lou

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I strongly believe that technology is here to help the art form, not to overwhelm it, but tragically, with a very few, each day more and more scarce exceptions, the invention of the microphone, that is credited to the German Emile Berliner in 1876

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Using as a model a pocket watch he had borrowed from a merchant or traveler, Banneker carved wooden replicas of each piece and used the parts to make a clock that struck hourly. He completed the clock in 1753, at the age of 21. Due to its precision (it struck every hour, on the hour, and continued to do so nearly forty years) the clock brought fame to young Banneker. Thus he began a watch and clock repair business. The clock continued to work until his death. Read more....

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New York Post observes that he is "...one of the very finest young guitarists working today." 

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W.D.C.J.N. is one of the first American Jazz Networks to embrace the remaining truly great Jazz legends of our times and upcoming Jazz great through today’s social media.
 
The W.D.C.J.N. is now internationally reaching Jazz musician, enthusiasts and aficionados, promoters, festivals of Jazz around the world. A real eye opener for people researching the history and present day development an evolution of America’s only original art form and historical legacy.

I fully endorse this institution and encourage anyone that is fond of Jazz to visit the Washington D.C. Jazz Network; today and become a member or make a donation to a worthy cause.

Sincerely!!!

Maxwell Price
Belgium

 

Carmelo Munet
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