AWARD WINNING INTERNATIONALLY ACCLAIMED JAZZ SINGER/PIANIST CAROL WELSMAN MAKES BLUES ALLEY DEBUT/ WED., JULY 21, 201

[Carol Welsman]

AWARD WINNING INTERNATIONALLY ACCLAIMED JAZZ SINGER/PIANIST CAROL WELSMAN

CAROL MAKES BLUES ALLEY DEBUT, WEDNESDAY, JULY 21, 2010
1073 Wisconsin Ave., NW, Washington DC 20007
Showtimes 8 and 10 PM, Tickets $25.
www.bluesalleycom /b>http://www.bluesalleycom>

Performs in conjunction with latest award winning CD I LIKE MEN Reflections of Miss Peggy Lee
2010 Juno Nomination (Canadian Grammy) Jazz Album of the Year
Top 5 album of the year – USA Today (all genres by music critic Elysa Gardner-- plus playlist pick upon release)
#3 Jazz album of the year – JazzTimes Magazine by music critic Bill Ruhlmann
Female Jazz Artist of the Year – Canadian SJ Awards
Nominated International Female Artist of the Year - American SJ Awards
#1 Jazz Album of the Year - Jazz Critic Magazine Japan
www.carolwelsman.com /font>http://www.carolwelsman.com/>

“At a time when female jazz singers have been arriving in waves, she is that rarity – an authentic vocal/instrumental artist who brings an irresistible blend of musicality and lyrical insight to everything she touches.” Don Heckman, Lifetime Achievement Award, Jazz Journalists Association

In this new collection of songs, which has just given the acclaimed singer/pianist her 5th Juno Nomination -- Carol pays tribute to Peggy Lee -- a singer she has always admired -- even though, at first glance, the connection between the two appears slim. True, they are both blondes, and they both have jazz in their souls. But the physical differences are obvious, and Lee's stand-up, big band singer-based style was dramatically different from Carol's identity as an intimate, vocalist/instrumentalist. A connection, nonetheless, was established early.

Lee was the favorite singer of Carol's musician father. "He took me to see her," she recalls, "when I was 12, when she was performing in Toronto. And one of the first things I ever heard of hers was her "Beauty and the Beat" album with George Shearing, because my father loved Shearing. He liked Peggy's no nonsense, unaffected kind of singing, the subtlety of what she did. And he drew a lot of comparisons with me when I was starting out, because I never had the big vibrato, always had a cooler sound, and he thought that she was the best person to follow."

Her father's instincts were right on target musically, which is where the real connection lies between Carol and Lee. Though there are plenty of differences in style, manner, and even intent, the quest toward originality, toward finding the heart of a song -- while avoiding the easy temptations toward superficiality that attract too many singers -- is the one essential quality that links the way each approaches her music.

All of which virtually guarantees that this collection of Peggy Lee-associated songs -- although performed with affection for the original versions -- reflects Carol's creative view, her own unique interpretations of some very familiar material. Several of the tunes include Lee's lyrics. Some -- "Why Don't You Do Right," "Fever," "Lover" -- are classic hits from the lexicon of American pop song. But the most fascinating aspect of this compelling collection is the way each is treated as a new musical experience by Carol, as an adventure in creative imagining.


See Carol Welsman in action once and you'll never forget her. Tall and blonde, she sits poised at the piano, head back, fingers stretched over the keys, her slender body arched in a seductive curve. Then the music flows, a combination of voice and piano that seems symbiotically linked. Like bossa nova icon Joao Gilberto and his guitar, Carol's honey and whiskey sound and her crisp, rhythmically articulate piano lines seem an integral part of each other. At a time when female jazz singers have been arriving in waves, she is that rarity -- an authentic vocal/instrumental artist who brings an irresistible blend of musicality and lyrical insight to everything she touches.

Carol's focus upon the essential elements of her art is not surprising. Coming from a musical family (her grandfather was the founder and first conductor of the Toronto Symphony), she has studied in the U.S. (at Berklee College of Music) and Europe, and released seven albums since her first CD, "Lucky To Be Me," in 1995. Her numerous achievements include the receipt of five Juno (Canadian Grammy) Award nominations including the just announced “Jazz Album of the Year” for I LIKE MEN, and several CDN Smooth Jazz Awards. She has become well-established as an international artist, touring the world, and performing in Italian, French, Portuguese and English.

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More about Carol and I Like Men…………..

1. In researching songs for the CD, she consulted with Peggy Lee’s granddaughter Holly, who also gave permission for use of the photo of Peggy Lee that appears in the CD artwork..
2. In putting together the concept for the CD artwork, Welsman went into the photo archives of Peggy Lee and replicated in a contemporary way four different of her classic looks...
3. Carol’s numerous television appearances include: co-hosting the Billboard Music Awards on BET with Herbie Hancock, performing her original composition “This Lullaby” to commemorate 9/11 on Larry King Live, and a one-hour CBC documentary showcasing her career with Brazil’s Djavan and Oscar Castro Neves..
4. She has performed for such luminaries as President Bill Clinton, Governor Gray Davis and recording artist Stevie Wonder to name a few.
5. Written lyrics for such international pop stars as Celine Dion, Ray Charles, Vittorio Grigolo and Pussy Cat Dolls singer Nicole Scherzinger…



Sheryl Feuerstein
SFPR/EastWest Media
310-821-5858
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