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- Pharoah Sanders
Pharoah Sanders's Page
Profile Information
- What instrument do you play?
- Saxophones, flute, percussion instruments
- Who influenced you to listen to jazz
- God
- How did you find out about the WDCJN?
- www.washingtondcjazznetwork.com/profile/georgevjohnsonjr
- My Website
- http://http://www.pharoahsanders.net
- Where are you located?
- Los Angeles
- Tell us about yourself
-
Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz. Harmonically rich and heavy with overtones, Sanders' sound can be as raw and abrasive as it is possible for a saxophonist to produce. Yet, Sanders is highly regarded to the point of reverence by a great many jazz fans.
Although he made his name with expressionistic, nearly anarchic free jazz in John Coltrane's late ensembles of the mid-'60s, Sanders' later music is guided by more graceful concerns.
The hallmarks of Sanders' playing at that time were naked aggression and unrestrained passion. In the yearsafter Coltrane's death, however, Sanders explored other, somewhat gentler and perhaps more cerebral avenues -- without, it should be added, sacrificing any of the intensity that defined his work as an apprentice to Coltrane.
Pharoah Sanders (his given name, Ferrell Sanders) was born into a musical family. Sanders' first instrument was the clarinet, but he switched to tenor sax as a high school student, under the influence of his band director, Jimmy Cannon. Cannon also exposed Sanders to jazz for the first time. Sanders' early favorites included Harold Land, James Moody, Sonny Rollins, Charlie Parker, and John Coltrane.
As a teenager, he played blues gigs for ten and 15 dollars a night around Little Rock, backing such blues greats as Bobby "Blue" Bland and Junior Parker. After high school, Sanders moved to Oakland, CA, where he lived with relatives. He attended Oakland Junior College, studying art and music. Known in the San Francisco Bay Area as "Little Rock," Sanders soon began playing bebop, rhythm & blues, and free jazz with many of the region's finest musicians, including fellow saxophonists Dewey Redman and Sonny Simmons, as well as pianist Ed Kelly and drummer Smiley Winters. In 1961, Sanders moved to New York, where he struggled. Unable to make a living with his music, Sanders took to pawning his horn, working non-musical jobs, and sometimes sleeping on the subway.
During this period he played with a number of free jazz luminaries, including Sun Ra, Don Cherry, and Billy Higgins. Sanders formed his first group in 1963, with pianist John Hicks (with whom he would continue to play off-and-on into the '90s), bassist Wilbur Ware, and drummer Higgins. The group played an engagement at New York's Village Gate. A member of the audience was John Coltrane, who apparently liked what he heard. In late 1964, Coltrane asked Sanders to sit in with his band. By the next year, Sanders was playing regularly with the Coltrane group, although he was never made an official member of the band. Coltrane's ensembles with Sanders were some of the most controversial in the history of jazz. Their music, as represented by the group's recordings -- Om, Live at the Village Vanguard Again, and Live in Seattle among them -- represents a near total desertion of traditional jazz concepts, like swing and functional harmony, in favor of a teeming, irregularly structured, organic mixture of sound for sound's sake.
Strength was a necessity in that band, and as Coltrane realized, Sanders had it in abundance.
Sanders made his first record as a leader in 1964 for the ESP label. After John Coltrane's death in 1967, Sanders worked briefly with his widow, Alice Coltrane. From the late '60s, he worked primarily as a leader of his own ensembles. From 1966-1971, Sanders released several albums on Impulse, including Tauhid (1966), Karma (1969), Black Unity (1971), and Thembi (1971). In the mid-'70s, Sanders recorded his most commercial effort, Love Will Find a Way (Arista, 1977); it turned out to be a brief detour. From the late '70s until 1987, he recorded for the small independent label Theresa. From 1987, Sanders recorded for the Evidence and Timeless labels. The former bought Theresa records in 1991 and subsequently re-released Sanders' output for that company. In 1995, Sanders made his first major-label album in many years, Message From Home (produced by Bill Laswell for Verve). The two followed that one up in 1999 with Save Our Children. In 2000, Sanders released Spirits -- a multi-ethnic live suite with Hamid Drake and Adam Rudolph. In the decades after his first recordings with Coltrane, Sanders developed into a more well-rounded artist, capable of playing convincingly in a variety of contexts, from free to mainstream. Some of his best work is his most accessible. As a mature artist, Sanders discovered a hard-edged lyricism that has served him well.
– Chris Kelsey, All Music Guide
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Looking forward to this Sunday Serenade come Sunday April 24th, when VTY Jazz pays their respects to trombonist Benny Powell. All of this will be going down live at the fabulous Cutting Room and just to pull your coats, their will be no squares allowed �de42. If your Hip you know the deal and where to be come Sunday April 24th. Reservations are strongly suggested, 917-882-9539. April is Jazz Appreciation month, but for the Hip, Jazz appreciation is 24/7 twelve months a year. If your not Hip you need to get Hip quick because you're missing some great music and vibes. Hope to see you live and in-person at the Cutting Room on April 24th.
Congratulations, Herb Scott, on being named Recipient of 2022 JOSEPH R. BIDEN LIFETIME ACHIEVEMENT AWARD HONOREE
#POTUS
A True Cultural Warrior Thank you for your hard work and dedication to America's Classical Music "So Called Jazz."
Keep on Swinging!
I'm very happy to inform you the Digital Copy of my New Album
Walk Spirit Talk Spirit
Is Available On All Major Streaming Platforms
Orrin Evans
The DC Jazz Festival in collaboration with the Howard University Department of Music is presenting jazz pianist Orrin Evans in a 3 day jazz residency beginning on March 15-17, 2022.
For me, music and life are all about style~~~Miles Davis
Cock your hat - angles are attitudes~~Frank Sinatra
A different type of church
Straight Ahead Live Jazz
Every Friday 6-9pm
"It's the best deal in town"
Bring the family * Spread the word * Let's celebrate!
Dick Smith
Executive Producer
A Member of the Washington DC Jazz Network
Howard Alden & Jeanne Gies
November 5, 2012
JEANNE GIES
A Member of the Washington DC Jazz Network
w/ Master Guitarist
New York Post observes that he is "...one of the very finest young guitarists working today."
October 29, 2012
The W.D.C.J.N. is now internationally reaching Jazz musician, enthusiasts and aficionados, promoters, festivals of Jazz around the world. A real eye opener for people researching the history and present day development an evolution of America’s only original art form and historical legacy.
Sincerely!!!
Maxwell Price
An Advocate for Preserving America's Classical Music, "JAZZ", it's African American Heritage, Roots & Legacy throughout the world!
Executive Director & Founder
Washington DC Jazz Network
The Eddie Jefferson School of Bop
Hello George, I am proud to be a member of the Washington DC Jazz Network (WDJN).
I am able to find out what's going on in town and on the east coast
and to network with other musicians. I get a lot of my news from the emails I receive from WJN.
I also would like to thank you for supporting the Jazz
program at Howard University in Washington, DC. Keep up the great work.~~~FRED IRBY
The Howard University Jazz Ensemble will present it's Fall Concert @ Andrew Rankin Memorial Chapel.
The guest soloist will be saxophonist Javon Jackson. Mr. Jackson is a veteran of the bands of Art Blakey, Freddie Hubbard, Elvin Jones and Les McCann. There will also be a performance by AFRO BLUE, the award winning vocal jazz ensemble.
WATSON-JOHNSON
DANCE THEATRE
Trenton New Jersey's Premiere Dance Institution
Presents
"NUTCRACKER CAFE' AU LAIT" Sat., Dec. 22, 2012 RSVP Today!
Bring the Entire Family!
Available for
Bookings & Tours
609.403.6070
Ms. Carol
Artistic Director Founder Choreographer
B.F.A. Howard University 1980
A Member of the Washington DC Jazz Network
A Member of the Washington DC Jazz Network
Washington DC Jazz Network Welcomes
Public Service Announcements (PSA) on radio and television stations.
Support the Network that Supports you!
I fully endorse this institution and encourage anyone that is fond of Jazz to visit the Washington D.C. Jazz Network; today and become a member or make a donation to a worthy cause.
Sincerely!!!
Maxwell Price
TODAY!
A different type of church
Straight Ahead Live Jazz
Every Friday 6-9pm
"It's the best deal in town"
Bring the family * Spread the word * Let's celebrate!
Dick Smith
Executive Producer
A Member of the Washington DC Jazz Network
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Good day,
I picked interest in you after going through your short profile and demanding it is necessary for me to write to you immediately. I have something very important to discuss with you, but I found it difficult to express myself here, since it's a public site.Could you please get back to me on (kristinageorgieva480@gmail.com) for full details.
Best regards,
Kristalina Georgieva.
Good day,
I picked interest in you after going through your short profile and demanding it is necessary for me to write to you immediately. I have something very important to discuss with you, but I found it difficult to express myself here, since it's a public site.Could you please get back to me on (kristinageorgieva480@gmail.com) for full details.
Best regards,
Kristalina Georgieva.
BOHEMIAN CAVERNS
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14, 15, 16TH
Hey! Pharoah,
How are you? It’s been many years since I had the opportunity to talk with you the first time if you still remember your early concerts at the university of Toronto many years ago I use to also ask you to play one of your originals tunes which by now I don’t remember the name of that tune but whenever I seen you even at Slug’s back in the day I would ask you to play it. Anyway! I would like you to join me on W.D.C.J.N. you might also remember Byron Pope, in which we did a few recording sessions here in Europe some 20 years ago which I’ve posted. If you have a moment check out some of those sound tracks on my W.D.C.J.N.
I’ve been trying to spread the news here in Europe regarding George and the network.
Have a wonderful New Year!!!
Maxwell
Got this live concert of you playing Giant Steps and it is so mean!!! I listen to it over again and it sounds so fresh. A Giant still among us it is a blessing to discover more of your music , that is what I use the internet for jazz, blues, history.- kev
We Love you madly!
Washington DC Jazz Network
Dear Pharoah,
Welcome to our family...
The Washington DC Jazz Network
We encourage all members to participate in discussions, make comments on blogs, join special groups for networking, upload videos, music and a profile photo etc. To invite more friends click the share/invite button. Our goal is to reach thousands.. The more we network the more we grow as a close knit family and the more power we have to preserve America's Classical music "JAZZ".
Remember to follow your dreams. Your dreams are your destiny! "MOMENTS NOTICE"
I love you~~~George V Johnson Jr, Executive Director & Founder, Washington DC Jazz Network