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Washington DC Jazz Network Artist of the Week Dale Fielder saxophonist, composer and band leader - Altadena, California

DECEMBER 28, 2010

A member of the Washington DC Jazz Network

DALE FIELDER

Dale Fielder is an American jazz saxophonist, composer and band leader. He is a multi-instrumentalist who plays all four saxophones: soprano, alto, tenor and baritone with equal authority. He is known for his original compositions and choice of performing rare, obscure jazz classics as well as his varied group concepts and variety of presentations. Fielder has recorded over 13 CDs as a leader for various labels since he first appeared on the national jazz scene in 1993 with his first CD Free Flow. He grew up in Midland, Pennsylvania, a suburb of Pittsburgh where he studied oboe, bassoon and tuba in the school system and clarinet, saxophone, composition and arranging privately with noted Pittsburgh area tenor saxophonist Phillip Celli. Fielder is also a product of the University of Pittsburgh Jazz Studies Program, where he studied as an ethnomusicology major under Dr. Nathan Davis. Fielder's debut jazz performance was as a member of the Joe Harris Quartet, former drummer of the Charlie Parker Quintet and Dizzy Gillespie Orchestra.

 

After relocating to NYC, he was recipient of a National Endowment for the Arts grant in 1984, studying with trumpeter/composer Frank Gordon and completed his first large work, The Aquarian for alto saxophone and chamber orchestra. While in NYC, he also performed with a host of current jazz stars such as pianist/composer Geri Allen and trombonist Robin Eubanks among many others. After eight years in NYC, Fielder moved to Los Angeles and studied with alto legend, Charles McPherson and began the difficult and challenging path of a band leader, establishing the Dale Fielder Quartet, the DFQ, with pianist Harold Land, Jr. in 1988. In 1996, he recorded a national top-ten CD, Dear Sir: Tribute To Wayne Shorter to widespread critical acclaim. In 1997, Fielder received his first commission and wrote the extended eleven-movement jazz suite, Ocean Of Love And Mercy, which was recorded in performance by an all-star Nonet and released by Cadence Jazz Records.

 

Fielder has since performed throughout Europe and Asia with his Quartet. Selected as BET’s 1999 Jazz Discovery winner, Fielder has taped several subsequent video appearances and shows for BET. In 2003, Fielder released his most important and ambitious work, his hour-long third extended jazz suite, Suite: Clarity to international critical acclaim. His 2005 CD, Baritone Sunride also received international attention bringing Fielder recognition as one of the top new baritone saxophonists in jazz. His July 2007 release DFQ~Plays The Music Of Pepper Adams, continues to document his classic jazz quartet, now with legendary jazz pianist Jane Getz, that as of 2011 is celebrating their 16th consecutive year together. Fielder's recent projects include performances with his avant garde quartet, Luminous Monolith, and his fourth extended work, Light and Shadow, commissioned and performed at Lenoir-Rhyne College of Fine Arts in North Carolina. His current CD Stellar Moments by yet another new ensemble, Angel City Quartet was released in 2010. In addition to maintaining, and performing with all the afore-mentioned, Fielder is currently performing and singing with his new jazz/pop/R&B band, Sonic Rewind.

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George,

Thank you for your impressive E-mail message and the enclosed photographs. It was great meeting you and hearing you. Though you had a comforting job and an abundance of security as a conductor with The New Jersey Transit, it's obvious your heart lies within the existing realm of the music we lovingly call jazz. Few of us will ever get rich by engaging in this pursuit, but our hearts will be overrun with joy and satisfaction for having done it. Time cannot be so cruel as to keep us apart indefinitely. So, onward and upward as we chase our dreams with a votive and determined effort, in spite of all else, with an inelluctable spirit of success concerning our proleptic tomorrows. We have no choice but to HIT IT over and over again at every opportunity as faithful visionaries letting no one or anything get in our way.

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Benny

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I fully endorse this institution and encourage anyone that is fond of Jazz to visit the Washington D.C. Jazz Network; today and become a member or make a donation to a worthy cause.

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